Double interview: the old and new chair of the Board of Directors

Denise Vandevoort en Bert Cornillie

Denise Vandevoort en Bert Cornillie, foto: Eva Beeusaert voor M Leuven

DOUBLE INTERVIEW: THE OLD AND NEW CHAIR OF THE BOARD OF DIRECTORS

Denise Vandevoort and Bert Cornillie

As a visitor, you don't notice much of it, but behind the scenes, the Board of Directors help map out M's direction. For the past 20 years, the board has been chaired by Denise Vandevoort. On 1 January, she passed the baton to Bert Cornillie, who at the same time also took over her position as Leuven's alderman for culture.

Denise Vandevoort en Bert Cornillie

Denise Vandevoort en Bert Cornillie, foto: Eva Beeusaert voor M Leuven

M shows that art makes you a more complete human being

Bert Cornillie
Chair of the Board of Directors of M

Denise Vandevoort: "Twenty years as president gives you a great deal to look back on. First and foremost, I think about the opening of M in 2009. The old museum was too small for our collection and for our ambitions. Nor did it offer an answer to the growing focus on contemporary art. My predecessor had already initiated several things, and when I took over as chair, we launched a design competition for a combination of new construction and renovation. In the end, the jury chose Stéphane Beel's design. That was the best match with the existing buildings but at the same time, it was very contemporary. I'm still convinced it was the best design. Stéphane also immediately said there should be an underground depot on site. A technical feat, but it worked."

Denise Vandevoort

Denise Vandevoort, foto: © Eva Beeusaert voor M Leuven

"From the beginning, we felt it was important to involve the residents of Leuven in M. During the renovation, we therefore exhibited several pieces in Leuven shop windows, in bank branches, at the city services... Mind you, we got everything back afterwards (laughs)."


"For the new name, we used specialised consultancy. They said: why not just call it M, as in the m of museum? At first, I thought that was a bit too simplistic, but I was quickly persuaded. That name offered a lot of possibilities in terms of communication. Think of the M-bassadors and the M-arts patrons. Mathilde and Máxima – at that point both princesses – were happy to open the museum for us. The link between M and their first name certainly helped. That was a great day with huge crowds. You felt that the people of Leuven immediately took the new museum to their hearts."

At no cost

"M was innovative in that it mixed ancient and contemporary art – most museums focus on one of the two. Initially we had no contemporary art collection, but in 2011 we were able to sign a long-term loan agreement with Cera. Later, we were able to do the same with the Flemish Community. At first, I was sometimes asked how M could afford all these contemporary works, but in fact it didn't cost us anything."

 

"What also set M apart was the transhistorical approach. That involves exhibiting artworks from different periods and backgrounds together so that they dialogue with each other. You saw that right away in 2009, at the opening exhibition around Rogier van der Weyden. Leuven artist Walter Verdin created a video installation inspired by 'The Descent from the Cross'. That was an eye-opener for many people who saw that you could present art that way too. That was a magnificent exhibition. A lot of the pieces had never been shown in Belgium before – we could only show them thanks to connections with the Belgian and Spanish royal courts."


Bert Cornillie: "Next autumn, M is organising a major exhibition around Dieric Bouts, a contemporary of Van der Weyden, who worked here in Leuven. Once again, unique pieces will be on display there, as well as work by contemporary artists. That transhistorical approach is very valuable."


Denise: "Right from the start, M also did public outreach in a modern way. Museums used to have the reputation of being stuffy and boring, but M has always thrown open the windows: for schools, families, people from diverse backgrounds..."

Bert: "I myself found 'The Art Bridge' an inspiring project. That was a six-year collaboration with Mater Dei, a very diverse Leuven school. At the end of the project, the children were able to guide their parents and fellow pupils through the museum. A great way to make them more confident, as well as reach the older generation. There is also M-IDZOMER, the annual art and music festival. How many museums do you know that organise something like that? M also addresses the wider community. We definitely need to continue doing that."

Bert Cornillie

Bert Cornillie, foto: © Eva Beeusaert voor M Leuven

Denise: "M has also always been strongly committed to scientific research. Just think of the eye tracking project, where scientists started measuring in great detail exactly what visitors are looking at when they stand in front of a painting. That has provided valuable insights."
 

Bert: "The museum has also always given opportunities to young talent. Like the M-residencies, for example, in which budding artists are given the chance to work on a project in peace and quiet, which they can then also exhibit at M."

Record amount

Denise: "I would also like to point out that the city, M and Cera have financially supported the arts sector from the beginning of the pandemic. We were a pioneer in this, the Flemish government took our lead. I dare say M is present, even among the policymakers."


Bert: “Definitely. For instance, Event Flanders has released €2 million for the city festival around Bouts for this autumn. A record amount."


"M is doing well, and we need to keep it that way. At most, we will make minor changes in nuance. Internally, we will place an even stronger emphasis on reducing our carbon footprint. Externally, we continue to position M as an open house where everyone is welcome. We will do our best to bring even more young people and people from different social backgrounds to the museum, that's a challenge for all museums. Whatever your level of eduction, coming into contact with art is a liberating experience that makes you a more complete human being. That's the essence for me."

M has now been around for 14 years. What was the personal highlight for the former and new chair?

Denise: "Oh, there are so many... But I think back with pleasure to Dirk Braeckman, the photographer who had his first exhibition at M in 2011-12. A few years later, he asked Eva Wittocx, contemporary art department head, if she would help him submit a dossier because he wanted to represent our country at the 2017 Venice Biennale, a great honour that very few artists get. The Board at the time agreed to do that. We honestly didn't think they stood much of a chance, but they did it! M even sent a whole crew to Venice at the time to keep the Belgian pavilion where Braeckman exhibited open. That has opened a lot of doors for us. Recently, for example, we collaborated with the Louvre for the 'Alabaster' exhibition. It might not have succeeded before that point."

 

Bert: "I have seen a lot of great things in M, but 'Power and Beauty' – the exhibition on the Arenbergs, in 2018-19 – has remained with me. I didn't really know what to expect beforehand, but it was impressive. Just seeing where the Arenberg family left its mark... The exhibition was also accompanied by a festival, which attracted tens of thousands of visitors. Another good example of how M opens doors."

Denise Vandevoort en Bert Cornillie

Denise Vandevoort en Bert Cornillie, foto: © Eva Beeusaert voor M Leuven